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Download Here (Instant Delivery): Information Tech SpecsSoftware Type:Pitch ProcessorPlatform: PCUpgrade/Full: FullDownload/Bo. Download Auto-Tune Pro for Windows PC from FileHorse. 100% Safe and Secure Free Download (32-bit/64-bit) Latest Version 2020. This is the download for Auto-Tune Unlimited – the Auto-Tune subscription demo. Try all the current Auto-Tune versions, Auto-Key, Harmony Engine, Warm, Mutator, Sybil, Punch, Mic Mod, Duo, Choir, Throat and Articulator. Note that these demo licenses have limited functionality,. Sep 27, 2018 It is full offline installer standalone setup of Antares Auto Tune 8.1.1 free download for win & mac. Antares Auto Tune 8.1.1 Overview. Antares Auto Tune 8.1.1 keygen frees your vocal creativity while still providing the seamless, natural pitch correction that Auto-Tune is famous for. Download autotune 8 setup.exe for free. Auto-Tune 8 acquire the best features which make it working in the Graphic mode and Automatic mode. Also, its Low Latency Mode offers excellent pitch correction for high-quality sound during the live performances. One can download the Auto-Tune licensed version from its official site in just a $399.

Download Auto-Tune Pro 8.1 for Mac free latest version offline setup for macOS. Auto-Tune Pro 8.1 is a powerful application for professional pitch correction features provides powerful set of tools for time correction and signature vocal effect of modern popular music.

Download file - Antares.Auto-Tune.v8.1.1.WIN.VST.zip.
Antares AutoTune v8.1.1 Full Version. Building on over 17 years as the overwhelming choice of professional musicians, producers and engineers, Auto-Tune 8 is the new generation of genuine Auto-Tune pitch and time correction. New in Auto-Tune 8 is Antares’ revolutionary new. #Plugin #Sound #VST.

Auto-Tune Pro 8.1 for Mac Review

A powerful application with over twenty years of development, Auto-Tune Pro 8.1 for Mac comes with a variety of powerful tools and options with pitch correction features along with time correction and signature vocal effect of modern popular music. It is a reliable application with a straightforward set of tools and a complete solution for dealing with a variety of vocal effects and a variety of tools to edit the music. It delivers a complete solution with high-quality music production features and delivers the ultimate level of performance.

Moreover, this powerful application provides the best set of tools with expressive gestures and natural variations to deliver the ultimate level of performance. Get high-quality audio production with auto-tune effect. Work with the timing errors in a perfect performance. Pitch correction, time correction, classic effects, and many other powerful features make it a complete package. Automatic Key and scale detection feature, as well as a variety of other powerful features, makes it a reliable solution. All in a nutshell, it is a complete package with vocal performance with powerful set of tuning features and a provides a complete solution for enhancing the audio.

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Features of Auto-Tune Pro 8.1 for Mac

Powerful audio processing application
Provides a complete set of tools for enhancing the audio files
Professional pitch correction features along with time correction tools
Simple and intuitive user interface with self-explaining options
Vocal effects for creating professional-grade music
Editing the audio and save the studio with endless editing and saving features
Creative signature vocal effects for the modern-day music
Apply classic effects with the best set of audio production tools
Flex-time and Humanize technologies to bring vocal performance
Work with expressive gestures and natural variations
Delivers an ultimate level of speed and performance
Time correction features and Graph Mode to fix timing errors
Low Latency Mode for performing auto-tine in real-time
Pitch correction with transparent time correction features
Audio Random Access and MIDI parameters control
Many other powerful options and features

Technical Details of Auto-Tune Pro 8.1 for Mac

File Name: Antares.Auto-Tune.v8.1.1.zip
File Size: 200 MB
Developer: Antares

System Requirements for Auto-Tune Pro 8.1 for Mac

Mac OS X 10.9 or later
1 GB free HDD
1 GB RAM
Intel Multi-Core Processor

Auto-Tune Pro 8.1 for Mac Free Download

Download Auto-Tune Pro 8.1 free latest version offline setup for macOS by clicking the below button.

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Auto-Tune 5 (or autotune) is an audio processor introduced in 1997 by and registered trademark of Antares Audio Technologies, which uses a proprietary device to measure and alter pitch in vocal and instrumental music recording and performances. It was originally intended to disguise or correct off-key inaccuracies, allowing vocal tracks to be perfectly tuned despite originally being slightly off-pitch.

Since its inception, producers began to use Auto-Tune as an effects unit, to deliberately distort vocals. By 2018, music critic Simon Reynolds observed that Auto-Tune had “revolutionized popular music”, calling its use for effects “the fad that just wouldn’t fade. Its use is now more entrenched than ever.”

Auto-Tune was launched in September 1997 by Andy Hildebrand, a Ph.D. research engineer specialized in stochastic estimation theory and digital signal processing. His method for detecting pitch involved the use of autocorrelation and proved to be superior to earlier attempts based on feature extraction that had problems processing certain aspects of the human voice such as diphthongs, leading to sound artifacts.

Music industry engineers had previously considered the use of autocorrelation impractical because of the extremely large computational effort required, but Hildebrand found a “simplification [that] changed a million multiply adds into just four. It was a trick — a mathematical trick.”

Over several months in early 1996, he implemented the algorithm on a custom Macintosh computer, and presented the result at the NAMM Show later that year, where “it was instantly a massive hit.”

Hildebrand had come up with the idea for a vocal pitch correction technology on the suggestion of a colleague’s wife, who had joked that she could benefit from a device to help her sing in tune. Originally, Auto-Tune was designed to discreetly correct imprecise intonations, in order to make music more expressive, with the original patent asserting that “When voices or instruments are out of tune, the emotional qualities of the performance are lost.”

According to Chris Lee of the Los Angeles Times, Cher’s 1998 song “Believe” is “widely credited with injecting Auto-Tune’s mechanical modulations into pop consciousness”. Cher’s producers used the device to “exaggerate the artificiality of abrupt pitch correction”, contrary to its original purpose.

While working with Cher on the song “Believe” in 1998, producers Mark Taylor and Brian Rawling discovered that if they set Auto-Tune on its most aggressive setting, so that it corrected the pitch at the exact moment it received the signal, the result was an unsettlingly robotic tone.

— Greg Milner (2009)
In an early interview, the producers of “Believe” claimed they had used a DigiTech Talker FX pedal, in what Sound on Sound’s editors felt was an attempt to preserve a trade secret. After the success of “Believe” the technique was initially referred to as the “Cher Effect”. In the year 2000, the single “Naive Song” performed by Mirwais Ahmadzai from his album Production was the first ever track using Auto-Tune on the complete vocals.

The use of Auto-Tune as a vocal effect was bolstered in the late 2000s by hip hop/R&B recording artist T-Pain who elaborated on the effect and made active use of Auto-Tune in his songs. He cites new jack swing producer Teddy Riley and funk artist Roger Troutman’s use of the Talk Box as inspirations for his own use of Auto-Tune.

T-Pain became so associated with Auto-Tune that he had an iPhone App named after him that simulated the effect, called “I Am T-Pain. Eventually dubbed the “T-Pain effect”, the use of Auto-Tune became a popular fixture of late 2000s music, where it was notably used in other hip hop/R&B artists’ works, including Snoop Dogg’s single “Sexual Eruption”, Lil Wayne’s “Lollipop”, and Kanye West’s album 808s & Heartbreak. In 2009, riding on the wave of Auto-Tune’s popularity, The Black Eyed Peas’ number-one hit, “Boom Boom Pow”, made heavy use of Auto-Tune on all the group’s vocals to create a futuristic sound.

Radiohead used Auto-Tune on their 2001 album Amnesiac to create a “nasal, depersonalised sound” and to process speech into melody. According to singer Thom Yorke, the software “desperately tries to search for the music in your speech, and produces notes at random. If you’ve assigned it a key, you’ve got music.”

The use of Auto-Tune in hip hop gained a resurgence in the mid-2010s, especially in trap music. Hip hop artists like Future, Migos, Travis Scott, and Lil Uzi Vert use Auto-Tune to create a signature sound.

The effect has also become popular in raï music and other genres from Northern Africa. According to the Boston Herald, country stars Faith Hill, Shania Twain, and Tim McGraw use Auto-Tune in performance, calling it a safety net that guarantees a good performance. However, other country music singers, such as Allison Moorer, Garth Brooks, Big & Rich, Trisha Yearwood, Vince Gill and Martina McBride, have refused to use Auto-Tune.

The latest[when?] version of Auto-Tune is Auto-Tune Artist, which is optimized for low latency performance. The most popular version of Auto-Tune is Auto-Tune Pro,[citation needed] the third newest release.

The US TV comedy series Saturday Night Live parodied Auto-Tune using the fictional white rapper Blizzard Man, who sang in a sketch: “Robot voice, robot voice! All the kids love the robot voice!”

Satirist “Weird Al” Yankovic poked fun at the overuse of Auto-Tune, while commenting that it seemed here to stay, in a YouTube video commented on by various publications such as Wired.

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Starting in 2009, the use of Auto-Tune to create melodies from the audio in video newscasts was popularized by Brooklyn musician Michael Gregory, and later by the band The Gregory Brothers in their series Songify the News. The Gregory Brothers digitally manipulated recorded voices of politicians, news anchors, and political pundits to conform to a melody, making the figures appear to sing. The group achieved mainstream success with their “Bed Intruder Song” video, which became the most-watched YouTube video of 2010.

In 2014, during Season 18 of the animated show South Park, the character Randy Marsh uses Auto-Tune software to allow himself to impersonate Lorde. In episode 3, “The Cissy”, Randy shows his son Stan how he does it on his computer.

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